There are some quite lovely piano and string sequences, such as "The Giving," that sound like Randy Newman-style Americana, and Smith occasionally comes up with Celtic airs ("Hibernia") that recall James Horner's TITANIC score. Some of the concluding tracks such as "The Call" and "Free Man," however, are more rock oriented, with wordless choral vocals and drums, and with synths or electric guitars taking the melody lines; the latter is especially reminiscent of Mark Knopfler's scores for THE PRINCESS BRIDE and LOCAL HERO.